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” Being naturally and unfairly skeptical that anyone could be unlike myself, I generally just think: No, of course not.
An obviously ethnocentric (and perhaps egocentric) conclusion.
Having only traveled internationally a handful of times—and always to Eastern Europe—and being left to rely on scattered reports from friends atop the untrustworthy testimony of pop culture for my understanding of various Asian cultures, it can be difficult to tell when a portrayal is capitalizing on pop fantasy and stereotype.
How prostitutes would rather get abused by men than live as nobodies back at home.
) never having lived there, maybe I’m wrong to think these things can’t be real.
I mean, the picture doesn’t comport to anything I’ve seen in manga or anime, anything I’ve read in Murakami or Miyabe, or anything I can imagine my Japanese-exported friends could have engaged in before moving to California. I’ve never been to Portland so who’s to say for sure, but it just doesn’t seem plausible to believe the show accurately represents any viable experience in the city.) The second story, far darker in tone, capitalizes on the stereotypes of Thailand we learn from reading stories on their icky sex trade. How Western “tourists” make the country their destination in order to have cheap sex with thirteen-year-old girls.
Of course it’s possible that Koreans could actually, as a culture, become so distinct through hundreds of years of not being me that they, as a culture, might do all kinds of things I could never imagine.
My wife, who represents (I think ably) smalltown Mid-Western America has a way of looking at the world that is wholly unlike my own—and we’re both from the same country.